Winsor & Newton : Cotman : Watercolour

Winsor and Newton Watercolour Cotman Paint : Compact Set : 12 Half Pans

A beautiful set containing 12 Cotman half pans covering a great range of colours. This popular pocket-sized plastic box features an integral mixing palette in the lid and contains 

Contents

1 x Cotman Brush 

1 x Lemon Yellow 

1 x Cadmium Yellow 

1 x Cadmium Red Pale Hue

1 x Alizarin Crimson 

1 x Ultramarine 

1 x Intense Blue

1 x Emerald Green 

1 x Sap Green 

1 x Yellow Ochre 

1 x Burnt Umber 

1 x Burnt Sienna 

1 x Chinese White 

A beautiful set containing 14 Cotman half pans covering a great range of colours.  The box itself is made from lightweight plastic and has a detachable lid and palette for easy cleaning and handling

Contents

1 x Cotman Brush 111 size 5

1 x Lemon Yellow Hue 

1 x Cadmium Yellow Hue 

1 x Cadmium Red Pale Hue 

1 x Alizarin Crimson Hue 

1 x Purple Lake 

1 x Ultramarine 

1 x Cerulean Blue Hue 

1 x Sap Green 

1 x Viridian Hue 

1 x Yellow Ochre 

1 x Burnt Umber 

1 x Burnt Sienna 

1 x Chinese White 

Winsor and Newton Watercolour Paint : Studio Set : 45 Half Pans

Prussian Blue is a deep blue colour. It was made by German chemist Diesbach around 1704 making it the first synthetic blue pigment. It quickly gained favour as an alternative to genuine Ultramarine.

Colour Number538

Opacity DescriptionTransparent

Lightfastness CodeI

Lightfastness DescriptionExcellent

Series1

PermanenceA

Pigment CodesPB27

Intense Blue (Phthalo Blue) is a deep intense blue which when undiluted, forms an inky blue-black. It is made from the modern pigment Phthalocyanine which was introduced in the 1930s.

Colour Number327

Opacity DescriptionTransparent

Lightfastness CodeII

Lightfastness DescriptionVery Good

Series1

PermanenceA

Pigment CodesPB15

Turquoise is an opaque blend of green and blue pigments. The name stems from the French 'Turquoise' for the semi-precious stone that was exported to Europe from Persia via Turkey.

Colour Number654

Opacity DescriptionOpaque

Lightfastness CodeII

Lightfastness DescriptionVery Good

Series1

PermanenceA

Pigment CodesPB15 • PG7

Cerulean Blue Hue is a bright blue pigment with green undertones. It is a careful combination of pigments closely resembling genuine Cerulean Blue.

Colour Number139

Opacity DescriptionOpaque

Lightfastness CodeII

Lightfastness DescriptionVery Good

Series1

PermanenceA

Pigment CodesPB15

Cobalt Blue Hue is a clean blue pigment closely resembling Cobalt Blue. Genuine Cobalt was discovered in 1802 by French chemist Thénard as an alternative pigment to the expensive Lapis Lazuli blue.

Colour Number179

Opacity DescriptionTransparent

Lightfastness CodeI

Lightfastness DescriptionExcellent

Series1

PermanenceA

Pigment CodesPB29 • PW5

Ultramarine is a rich deep transparent blue. It was created by French chemist Guimet in 1828 as a synthetic but chemically identical replacement for the expensive pigment derived from Lapis Lazuli.

Colour Number660

Opacity DescriptionTransparent

Lightfastness CodeII

Lightfastness DescriptionVery Good

Series1

PermanenceA

Pigment CodesPB29

Winsor Violet (Dioxazine) is a vivid mid-shade purple pigment. When undiluted, it can be used as a deep black. It is a transparent coal tar pigment and was introduced into the Winsor & Newton range in the 1960s.

Colour Number231

Opacity DescriptionTransparent

Series1

PermanenceA

Pigment CodesPV23

Mauve is a rich violet colour. Originally a lake pigment, Mauve was discovered in England 1856 by Sir William Perkin and quickly became a fashionable clothing colour during the Victorian age.

Colour Number398

Opacity DescriptionTransparent

Series1

PermanenceA

Pigment CodesPR122 • PV23

Purple Lake is a transparent, cool dark purple.

Colour Number544

Opacity DescriptionTransparent

Lightfastness CodeII

Lightfastness DescriptionVery Good

Series1

PermanenceA

Pigment CodesPV19

Rose Madder Hue is a transparent rich pink pigment closely resembling genuine Rose Madder.

Colour Number580

Opacity DescriptionTransparent

Series1

PermanenceA

Pigment CodesPR206

Permanent Rose is a bright rose violet. It is a transparent quinacridone pigment and was introduced in the Winsor & Newton range in the 1950s.

Colour Number502

Opacity DescriptionTransparent

Lightfastness CodeII

Lightfastness DescriptionVery Good

Series1

PermanenceA

Pigment CodesPV19

Alizarin Crimson Hue is a quinacridrone based pigment closely resembling genuine Alizarin Crimson. It is a transparent red pigment with blue undertones.

Colour Number3

Opacity DescriptionTransparent

Series1

PermanenceA

Pigment CodesPR206

A rich dark red, Cadmium Red Deep Hue is a carefully selected combination of pigments closely resembling genuine Cadmium Red Deep.

Colour Number98

Opacity DescriptionTransparent

Series1

PermanenceA

Pigment CodesPR188 • PR254

Cadmium Red Hue is a strong mid-range red colour. It is a carefully selected combination of pigments closely matching genuine Cadmium Red.

Colour Number95

Opacity DescriptionTransparent

Series1

PermanenceA

Pigment CodesPR149 • PR255

Cadmium Red Light Hue is a pale red pigment .It has been formulated to resemble genuine Cadmium Red Light.

Colour Number103

Opacity DescriptionTransparent

Series1

PermanenceA

Pigment CodesPR255 • PY65

Cadmium Orange Hue is composed of several pigments closely resembling genuine Cadmium Orange. It is a versatile bright mid-range orange.

Colour Number90

Opacity DescriptionTransparent

Series1

PermanenceA

Pigment CodesPO43 • PY83

Cadmium Yellow Hue is a warm mid-range yellow made from arylide pigments to resemble genuine Cadmium Yellow. It is a reddish yellow with good tinting properties. Arylide yellow is part of the Hansa Yellows which were first developed in the early 1900s in Germany by the Hoechst company.

Colour Number109

Opacity DescriptionTransparent

Series1

PermanenceA

Pigment CodesPY65 • PY97

Recently reformulated, Gamboge Hue is a warm yellow pigment resembling genuine Gamboge. Made from tree resin, genuine Gamboge was brought to Europe in 1603 and was believed to carry medicinal cures, but was found to have toxic properties.

Colour Number266

Opacity DescriptionTransparent

Series1

PermanenceA

Pigment CodesPR209 • PY150

Cadmium Yellow Pale Hue is a strong light yellow made from arylide yellow pigments to closely resemble genuine Cadmium Yellow Pale.

Colour Number119

Opacity DescriptionTransparent

Series1

PermanenceA

Pigment CodesPY175 • PY65

Lemon Yellow Hue is a strong mid-range yellow, made from arylamide pigment. It closely resembles genuine Lemon Yellow which was discontinued many years ago due to the toxicity of the Barium Chromate pigment.

Colour Number346

Opacity DescriptionTransparent

Series1

PermanenceA

Pigment CodesPY175

Chinese White is a zinc based opaque white. Winsor & Newton were the first to sell Chinese White in England in 1834. It was named after the popular Chinese porcelain imported at the time.

Colour Number150

Opacity DescriptionOpaque

Lightfastness CodeI

Lightfastness DescriptionExcellent

Series1

PermanenceAA

Pigment CodesPW5

Lamp Black is one of the oldest pigments. It is made of pure carbon, originally from the residual soot of burnt oil lamps. It is black with a bluish tint, producing a variety of cool blue greys.

Colour Number337

Opacity DescriptionOpaque

Lightfastness CodeI

Lightfastness DescriptionExcellent

Series1

PermanenceAA

Pigment CodesPBk6

Ivory black is a stable all-round black with brown undertones and excellent tinting powers. Its name stems from the traditional method for obtaining it: roasting elephant tusks..

Colour Number331

Opacity DescriptionOpaque

Lightfastness CodeI

Lightfastness DescriptionExcellent

Series1

PermanenceAA

Pigment CodesPBk9

Payne's Gray is a dark blue grey made from a mixture of Ultramarine, Mars Black and sometimes Crimson. It was named after the 18th c. water-colourist William Payne who created the mixture and often recommended it to his students as an alternative to plain black.

Colour Number465

Opacity DescriptionTransparent

Lightfastness CodeII

Lightfastness DescriptionVery Good

Series1

PermanenceA

Pigment CodesPB15 • PB29 • PBk7

Indigo is a deep blue pigment that can range from dark black to pale blue. Originally extracted from plants similar to blue woad used by the ancient Britons, it was synthesised in 1878 in Germany. It is one of the oldest blue pigments used universally.

Colour Number322

Opacity DescriptionOpaque

Lightfastness CodeII

Lightfastness DescriptionVery Good

Series1

PermanenceA

Pigment CodesPB15 • PB29 • PBk7

Sepia is a black brown colour. Originally made in the 18th from the ink sacks of cuttlefish, it is now made from a mixture of carbon and umber. It is a highly permanent colour.

Colour Number609

Opacity DescriptionTransparent

Lightfastness CodeI

Lightfastness DescriptionExcellent

Series1

PermanenceAA

Pigment CodesPBk7 • PBr7

Vandyke Brown is a brown pigment named after the Flemish painter Van Dyke who used it in many of his paintings. It is an earth pigment, and is often used for shading.

Colour Number676

Opacity DescriptionOpaque

Lightfastness CodeI

Lightfastness DescriptionExcellent

Series1

PermanenceAA

Pigment CodesPBr7 • PR101

A rich dark brown pigment, Burnt Umber is made from natural brown clays found in earth. It was named after Umbria, a region in Italy where it was mined. Burning the raw pigment intensifies its colour.

Colour Number76

Opacity DescriptionOpaque

Lightfastness CodeI

Lightfastness DescriptionExcellent

Series1

PermanenceAA

Pigment CodesPBr7 • PY42

Indian Red is an opaque red with blue undertones. Originally made of natural red iron oxides found in earth, it is one of the oldest pigments and is favoured for its permanence.

Colour Number317

Opacity DescriptionOpaque

Lightfastness CodeI

Lightfastness DescriptionExcellent

Series1

PermanenceAA

Pigment CodesPR101