Oil Paint

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Sap Green series 2, Permanent is a rich mid-range green with a yellow undertone. Originally Sap Green was a lake pigment made from unripe Buckthorn berries.

• Transparency / Opacity  T

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Naples Yellow Hue is an opaque warm yellow colour. A combination of pigments, it closely resembles Naples Yellow, whose name comes from its natural deposits in Mount Vesuvius, Naples.

• Transparency / Opacity  O

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Phthalo Green (Blue Shade) is a brilliant transparent green pigment with a blue undertone. A modern pigment, it was introduced in 1930s.

• Transparency / Opacity  T

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Cadmium Orange Hue is composed of several pigments closely resembling genuine Cadmium Orange. It is a versatile bright mid-range orange colour.

• Transparency / Opacity  ST

Bright and beautiful, this affordable range of 47 colours is perfect for artists who need large quantities of colour. All of the tones have been carefully made to bring out the best of each pigment, so you can create bold and vibrant artworks. We think you'll be very pleased with the results.       

Cadmium Yellow Hue is a warm yellow colour. It is a versatile rich mid-range yellow.

• Colour Number 109 
• Colour Series 1
• Colour Vehicle Oil Linseed Oil
• Lightfastness (ASTM) I
• Permanence Rating A
• Pigment(s) PY65, PO73
• Product Code 1414109
• Transparency / Opacity O

Bright and beautiful, this affordable range of 47 colours is perfect for artists who need large quantities of colour. All of the tones have been carefully made to bring out the best of each pigment, so you can create bold and vibrant artworks. We think you'll be very pleased with the results.       

A warm opaque colour, Flesh Tint is a carefully selected combination of pigments resembling a peachy flesh tone. 

• Colour Number 257
• Colour Series 1
• Colour Vehicle Oil Safflower Oil
• Lightfastness (ASTM) I
• Permanence Rating A
• Pigment(s) PW6, PY42, PW4, PY74, PR188
• Product Code 1414257
• Transparency / Opacity O

Bright and beautiful, this affordable range of 47 colours is perfect for artists who need large quantities of colour. All of the tones have been carefully made to bring out the best of each pigment, so you can create bold and vibrant artworks. We think you'll be very pleased with the results.        

Cobalt Violet Hue is a clean rich purple pigment. Its combination pigments resembles genuine Cobalt Violet, a pigment favoured by famous artists such as Monet and Seurat.

• Colour Number 194
• Colour Series 1
• Colour Vehicle Oil Linseed Oil
• Lightfastness (ASTM) I
• Permanence Rating A
• Pigment(s) PV19, PV23, PW6
• Product Code 1414194
• Transparency / Opacity O

Bright and beautiful, this affordable range of 47 colours is perfect for artists who need large quantities of colour. All of the tones have been carefully made to bring out the best of each pigment, so you can create bold and vibrant artworks. We think you'll be very pleased with the results.    n

Viridian Hue is a transparent emerald green colour. Named after the Latin for green 'viridis', it closely matches genuine Viridian. 

• Colour Number 696
• Colour Series 1
• Colour Vehicle Oil Linseed Oil
• Lightfastness (ASTM) I
• Permanence Rating A
• Pigment(s) PG7
• Product Code 1414696
• Transparency / Opacity T

Bright and beautiful, this affordable range of 47 colours is perfect for artists who need large quantities of colour. All of the tones have been carefully made to bring out the best of each pigment, so you can create bold and vibrant artworks. We think you'll be very pleased with the results.   

Naples Yellow Hue is an opaque warm yellow colour. A combination of pigments, it closely resembles Naples Yellow, whose name comes from its natural deposits in Mount Vesuvius, Naples.

• Colour Number 422
• Colour Series 1
• Colour Vehicle Oil Linseed Oil
• Lightfastness (ASTM) I
• Permanence Rating AA
• Pigment(s) PW6, PY42, PR101
• Product Code 1414422
• Transparency / Opacity O

Bright and beautiful, this affordable range of 47 colours is perfect for artists who need large quantities of colour. All of the tones have been carefully made to bring out the best of each pigment, so you can create bold and vibrant artworks. We think you'll be very pleased with the results.       

Permanent Geranium Lake is a rich light red colour. It is based on the transparent Quinacridone pigment which was introduced in the 1950s.

• Colour Number 478
• Colour Series 1
• Colour Vehicle Oil Linseed Oil
• Lightfastness (ASTM) I
• Permanence Rating A
• Pigment(s)PR209
• Product Code 1414480
• Transparency / Opacity T

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Series 2, Permanent Rose is a bright rose violet colour. It is a transparent quinacridone pigment and was introduced in the Winsor & Newton range in the 1950s..

• Transparency / Opacity  T

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Series 2, Cadmium Yellow Medium is an opaque mid-range yellow colour. It is a single pigment colour with excellent tinting properties.

• Transparency / Opacity  O

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Series 2, Cadmium Red Light is an intense red colour with orange undertones. It is an opaque single pigment colour with excellent tinting properties.

• Transparency / Opacity  O

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Series 2, A single pigment colour, Cadmium Red Medium is a mid-range red colour with strong tinting qualities. It is a highly stable, bold opaque pigment.

• Transparency / Opacity  O

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Series 2, A genuine single pigment colour, Cadmium Red Dark is a rich, bright red. As all genuine cadmium colours, it is an opaque colour with excellent covering properties.

• Transparency / Opacity  O

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Series 2,Cadmium Yellow Light is a single pigment colour. It is an opaque, bright yellow with excellent tinting properties.

• Transparency / Opacity  O

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Viridian series 2,  is a transparent emerald green colour. Named after the Latin for green 'viridis', it was first made in Paris by colourist Binet in 1838 as a replacement for the deadly Emerald Green.

• Transparency / Opacity  T

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Cerulean Blue series 2, was developed in 1805 and entered the English market in the 1860s. Its name derives from the Latin Caeruleum meaning sky-blue pigment. It is a bright blue pigment with green undertones.

• Transparency / Opacity  SO

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Cobalt Blue series 2, is a clean blue pigment. It was discovered in 1802 by French chemist Louis Thénard as an alternative pigment to the expensive Lapis Lazuli blue pigment.

• Transparency / Opacity  ST

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Phthalo Blue (Red Shade) is a deep intense blue with a red undertone. It is made from the modern pigment Phthalocyanine which was introduced in the 1930s.

• Transparency / Opacity  T

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Payne's Gray is a dark blue grey made from a mixture of Ultramarine, Mars Black and sometimes Crimson. It was named after the 18th c. water-colourist William Payne who created the mixture and often recommended it to his students as an alternative to plain black.

• Transparency / Opacity  SO

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Phthalo Green (Yellow Shade) is a brilliant transparent green pigment with a yellow undertone. A modern pigment, it was introduced in 1930s.

• Transparency / Opacity  T

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Magenta is a rich deep violet red colour. It is a transparent pigment. The name Magenta comes from a lake colour named in 1859 after the battle in Magenta, Italy.

• Transparency / Opacity  T

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Olive green is a soft brownish green colour named after the soft tones of a natural green olives.

• Transparency / Opacity  T

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Raw Sienna is a bright brown pigment. One of the oldest pigments, it can be found in prehistoric cave art. It is named after Siena, Italy where the pigment was sourced during the Renaissance.

• Transparency / Opacity  T

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Indian Red is an opaque red colour with blue undertones. Originally made of natural red iron oxides found in earth, it is one of the oldest pigments and is favoured for its permanence.

• Transparency / Opacity  O

These magnificent paints are designed to look and work just like traditional oil paint, but they're a bit special. You can use them without hazardous solvents - they're happy being thinned down and cleaned up with water. They're especially good for artists who share a workspace or don't want solvents in school or at home.

Ivory black is a stable all-round black colour with brown undertones and excellent tinting powers. Its name stems from the traditional method for obtaining it: roasting elephant tusks.

• Transparency / Opacity  O